In Focus Watches

Ématelier Sprezzatura Collection Holds the Secret to Accessible Enamel Dials

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Guilloche is often shorthand for a certain breed of Swiss classical watchmaking, the kind of finishing that sets an entry level timepiece from a masterpiece. The thing is, these days a good enough machine can do most guilloche and it’s getting more common than ever before, especially at the accessible end of the market. Not so enamel, which is why we should pay attention to brands like Ématelier who excel at enamel.

Ématelier Enamel Process

Grand Feu enamel doesn’t just sound extraordinary in a grandiose way, it’s one of the most laborious processes in watchmaking. It starts with a wafer-thin metal disc that’s then painted with impossibly thin layers of enamel powder. It’s only when that powder is fused together when fired at 800 degrees Celsius that it becomes the perfectly smooth, beautifully deep enamel that represents a certain echelon of watchmaking.

Ematelier Sprezzatura Cloisonné Atlas Corona Enamel Dial

Even that however makes it seem a simpler process than it is. Enamelling is a science rather than an art, and even the finest artists might mis-paint a brush stroke. You can’t cover up issues in enamel as easily as canvas though and any imperfection, an almost invisible hairline fracture for example, means tossing a dial out and starting from scratch. That gets incredibly hairy when, every time you want to add a new element or colour to the dial, it needs to be re-fired. You can funnel days of work into a single dial only to have it fall at the final hurdle.

Needless to say, that all means that good grand feu enamel has a bit of a premium. It’s why it’s normally reserved for prestige pieces a la Breguet, Jacquet Droz and Vacheron Constantin. I say normally, because Ématelier’s watches start from only $1,900.

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Ematelier Sprezzatura Cloisonné Atlas Corona

Ematelier Sprezzatura Cloisonné Atlas Corona

That might sound too good to be true, but this is what happens when someone specialises this hard into something like enamelling. The Canadian company’s expertise in the field is second-to-none and indeed, their gloriously artistic bespoke dials – which includes gold wire-framed cloisonne enamel. Fancy a preproduced Louvre-worthy masterpiece to crown your aging Cartier? This is the way to go.

Ématelier Sprezzatura Collection

Ématelier Sprezzatura Collection

There is a premium of course and it’s a very involved process, in need of a base watch for Ématelier to work with. If what you’re looking for is simpler than that – an accessible timepiece with its own grand feu enamel dials – look no further than the new Sprezzatura collection, featuring the Grand Feu Enamel edition, Two Component Sunken Handmade Grand Feu Enamel Dial, Three Component Double Sunken Handmade Grand Feu Enamel Dial and Cloisonne Handmade Grand Feu Enamel Dial.

Referring to a kind of effortless grace, there’s a sly dichotomy in using the word here. On the one hand, the amount of effort that’s gone into the enamel dial is anything but effortless; on the other, the resulting watch has the kind of casual elegance that epitomises the word. Case in point, this gorgeous red and white number.

Ematelier Sprezzatura Three Component White Red

Ematelier Sprezzatura Three Component White Red

The Sprezzatura Three Component model has a double sunken dial. As if grand feu enamelling wasn’t hard enough on its pristine surface, this adds a whole new layer of complexity and even more possibility of the dial cracking, due to the combination of components and delicate construction. The central dial is pure, clean white; then there’s the red ring with painstakingly painted numerals before the outer white ring with black minute track. It’s an absolute stunner and the depth of colour is magnificent. Sure, there’s something to be said for applied numerals instead of painted, but when you’re showcasing enamelling there’s only one way to go, and the fired gold enamel mixes well with the bright pop of red.

As we’ve established, Ématelier are an enamel specialist, not necessarily a watchmaker in the truest sense. So, it’s no surprise that the rest of the watch is relatively pared back. The 38.8mm stainless steel case is pebble-smooth and tactile thanks to the gently curving bezel, akin to the kind of immensely wearable numbers from Nomos Glashutte. It more than does the job – something that can also be said of the movement, a customised Soprod number with a 42-hour power reserve. That movement also has an Incabloc shock absorbing system, but honestly, given the dial shocks are one thing you’ll really want to keep this watch away from.

Ematelier Sprezzatura Three Component White Red
Ematelier Sprezzatura Three Component White Red

The bottom line is that the rest of the watch has been kept relatively accessible – high quality of course, but not opting for some pricey ETA number or extravagant case finishing – so that Ématelier can offer enamel dials for a downright extraordinary price. There are only one or two other companies offering watches like the Sprezzatura at anywhere near these prices, and none of them do so with as many enamelled elements as this.

It helps matters that the Ématelier Sprezzatura Three Component in red and white is also just a great looking watch. Even without diving deep into the difficulties of enamel, that means a lot.

Price and Specs:

Model: Ématelier Sprezzatura Three Component White Red
Case: 38.8mm diameter x 10.2mm thickness, 20mm lug width, stainless steel
Dial: Red and white Grand Feu enamel
Water resistance: 50m (5 bar)
Movement: Soprod calibre 'Luxe Execution', automatic, 25 jewels
Frequency: 28,800 vph (4 Hz)
Power reserve: 42h
Functions: Hours, minutes
Strap: Red alligator leather with stainless steel buckle, certified by CITES (the Convention on International Trade in Endangered Species of Wild Fauna and Flora)
Price: $2,500 (approx. £1,950)

More details at Ématelier.

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About the author

Sam Kessler

Legend has it that Sam’s first word was ‘escapement’ and, while he might have started that legend himself, he’s been in the watch world long enough that it makes little difference. As the editor of Oracle Time, he’s our leading man for all things horological – even if he does love yellow dials to a worrying degree. Owns a Pogue; doesn’t own an Oyster Perpetual. Yet.

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